the penultimate mixtape. the weather-appropriate. voluptuous life .
first ExtraLife - voluptuous life
what a album ... I know no more how much I talk to me for weeks about the mouth fluffy. So, the facts on come from new york, loud critics of the next big thing, and unfortunately most of the inside booker screwed up. cadence singing, medieval studies of set pieces, broken metal mathcore and muscles without? yes, go in well and, therefore, remains eternally fascinating. what impressed me very much was seen recently interview with the band in which their head charlie looker with the matter brought extra life to the point: we want to bring our audience an extreme, impressive and exciting as emotionally charged evening. better you can not tell. Finally a band that admits: yes, there is audience, yes, it is important to us, and write the song played by the potential recipient a quite a roll.
second former ghosts - hold on
me the other day I got a crush on the z-set in freddy ruppert aka former ghosts! such a small, male-morrissey-affine having a press of such things can warm that one, even with good mood, just want to start the howling. of course this is quite a nod to Joy Division and other 80's stuff, but in connection with the above emotional performer like sooo good.
third sole - dumb it down
sole actually does what now? the song is understood from the year 2003, of "Live From Rome" album ... that was probably my first time hiphop concert, and I did not have, but was thrilled to be honest. ah clear his myspace page reveals all: he has spent the last years in a forest cottage. I did it anyway. what else is probably not if you've figured life before, so has the modern. diogenes the way of life. the rapper from the barrel. "If there's a policeman living in your head, you're not free." word. I really wanted the song "crisis" by taking The same album, because of the beautiful line "depression is a symptom of a society that failed us - in my children will not grow up a prison ", but musically this is then it fit better. I could listen forever often repeat. and after I a week ago, sweaty in the night woke up and dreamed of before was that I will be father, has the care of the children also .
fourth Cortney Tidwell - 17 horses
is a humorous nod to the song "17 horses" is he reminds me so so much to "horses" by Patty Smith but ...? this is certainly not a bad association. in itself is half-baked to me Cortney Tidwell still sounds too often too nice, too innocent, too ... I already know. but the song has something, and if it is only the courage to structure is repetitive.
5th mogwai - Batcat
the penultimate mixtape is here, then the full year. mogwai and have never been on it? impossible. ... although I do my slow hard time with this kind of instrumental music. so nice that sounds, what mogwai or explosions in the sky organize or ef or anyone else, it always sounds, always, always the same. in this song dare mogwai a little bit what are loud, rocking, almost stonerrockesque - and can do this because it sounds also like not so selbstbezirzend as usual, so "listen, I can play for a great loop" - " hey, wait, me too! " it is strange, but despite all the dreaminess that it is possible post-rock bands incredibly rare, to restrict itself to remain small.
6th tiny vipers - dreamer
tiny vipers is still my past concert-highlight 2010th because it makes so little himself so extremely limited to guitar loops and agree, and the otherworldly perfection operates in a. At no time does what it does, how narcissistic "ichundmeinegitarre" strumming, which is on all overhanging length exactly as long as need be. 7th
foals - spanish sahara ( Mount Kimbie rmx)
since I now once a week benefit, with monsieur jool of pumping velvet cooperate fan out of me was a breeze, a large mount Kimbie. that is, next joolanda, mainly the foals remix-owed - even the original has managed to tear me to run regularly on the move. but the remix it is almost sad, lost and lonely.
8th Owen Pallett - oh heartland, up yours!
added: I think if my socialization with the word "heartland" are always the first song on an unspeakable of u2. So clearly, that this song is my favorite piece of work from the new-pallett. funny how much the foals now vocally reminiscent of Owen Pallett, by the way. owen and myself? still sounds like a cool version of the distant beach boys - for luck. depression rather than surf. at this point were way over the last month to distribute the ten songs, from new wet kojak up to the temper trap, but I was simply impossible to find a graceful notes to the mount-Kimbie-rmx. this mixtape I had really almost broke a few times the neck.
9th mahjongg - kottbusser torr
in which I had almost beaten chew year, until I finally found a shortcut. and then-dang - rhythm pattern seen through, get it, how awesome the sound layers in all of them together. a kraut-disco lasagne, if you will. Finally, I impressed. Right now I would have anyway prefer a k-dauerabo records. is it because the label actually released in recent years as large-type vehicle, or is it that a particular label to live in for a certain time? 15 that was most certainly epitaph for me. but the records-k program is so diverse and not retracted trademark sound to a particular. between mirah, mahjongg and eprhyme worlds are indeed real. God knows. rather, her. give me reply.
10th capitol city dusters - killing ground
the best bassline of all time. a prophetic text. 1998th we've lost the underground. via the phenomenological course that is far out that there is already a very bitter to comment about a time in which the naturally grown cease-punk underground. chain ends at all and was soggy, extended - of course, was not necessarily bad. but sometimes it has felt but as the fall of Rome. It was the highlight of what nofx - had once packed beautifully lyrical - you'll forgive that: "The desperation's gone / the song's the same. "It was just suddenly possible to make the whole underground aesthetics also marketable, involve known and beloved skin totally unfounded little sleeve, empty of content and yet somehow familiar. said drastic that was put in such a way morbid and pathological as what buffalo Bill in "Silence of the Lambs" did. the dusters were as an old-school-washington dc-band, which I owe one of my most intense concert experiences, about 2002, Munich. for me the beginning of 20, she looked very old, the was disturbing, but at the same time they put a play-improvisation and joy to the day that I still have it today, an old acquaintance, Denich see more than once per year, within five minutes of concert talk at this relevant.
11th The Starvations - red wine
gold standard laboratories was once such a label, of which one was a few years long now consider each free release. Starvations and were one of the most moving bands in the roster 2003rd Of course it sounds stale after gun club, but the nice young to rebellion is precisely the fact that they are usually seen as victims is always a first time, although the same fault and impossible discoveries like all other makes, but there is this energy , this bite-and-no-more-release that one has just only the first times. the pack Starvations for me just this feeling. it is at all traditionalism an urgent drive to find the others right moods, "red wine for a blue boy", "please do not give me an american funeral" ... striking, to the point, easily understood and accommodated. something for the heart stop.
12th the smiths - that joke is not funny anymore
what's to stop heart. class, how utterly impossible it is to be a Smith-epigone, and how beautiful it is. there is simply no one ran, and everybody knows it. and each is approximately as large gesture of hutziehens, by the bow and favorably received with a smile. the smiths are iconic, only approximately attainable - that is also due to the highly contemporary sound, yes: here pop a rare, unique reached bloom, created a connection that there can be substantial only once. a brief flicker, never posed. yet another quote-smiths.
13th Junip - rope and summit
the new band by Javier Escovedo, who cares about it. I was pretty damn because I know Javier Escovedo really only by name. said he has been with this band than sixteen years of playing, now, years later, they came together again and conjure up a very stubborn-autistic hat from the sound. droneangehauchter sprengseln with folk-americana, oddly distant and in perfectly with the detachment tiny vipers or cat power comparable. lifted off beautifully.
14th TalkTalk - spirit of eden
the minimalist, the Junip have certainly stolen by TalkTalk. with "spirit of eden" rang the 1988 with their minimalist, a phase, and I find it remarkable how often you still circling in widely scattered over the names TalkTalk stumbles, perhaps because the path chosen by pop down to Spartan minimalism have - no overloading, no fear and a silent pause at the own instrument: before that probably most musicians are afraid. Nevertheless, talk talk-songs in a very complex creature as insane. filtered improvisations, parts of which to the best-and side by side, but it is also where space is enough to make just one more minute organ solo song are quite alone in the middle of a DA.
15th sparklehorse - Dreamt for Light Years in the belly of a mountain
one of the saddest songs ever written. I do not like to write to Mark Linkous, that would not always appropriate. sparklehorse but had a great sensitivity for provisions, for a song not impose its own sake, but it breathe and to develop themselves.
